Patrick K.-H. / Andrey Bartenev "Polar bear" animation
Patrick K.-H. "Tommy D" series: Poison of Life
Patrick K.-H. "Seagull": Deadborn
Patrick K.-H. "Tommy D" series: Frogility
Patrick K.-H. "Tommy D" series: When friends meet
Patrick K.-H. "Tommy D" series: Pendulum
Patrick K.-H. "Tommy D" series: Bridge
Patrick K.-H. "Tommy D" series: 80
Patrick K.-H. "Tommy D" series: Dogs
Patrick K.-H. "Tommy D" series: Lighters
Patrick K.-H. "Tommy D" series: Branches + Couple
Patrick K.-H. "Tommy D" series: Pair
Patrick K.-H. "Tommy D" series: Faces 6
Patrick K.-H. "Tommy D" series: Faces 2
Patrick K.-H. "Tommy D" series: Gun
Patrick K.-H. "Tommy D" series: Uncle Sam
Patrick K.-H. Replaced U U
“We aim at the total transformation of the mind and all that resembles it”
(A.Breton).
Stop–motion is, first of all, a medium to discretize the process, to fix it at each desired moment: watching metamorphoses of material in frames of strictly provided system of axes, that is rotating as a wind vane, seeding around tensors of options and variants of occurrences, consequences, suggestions and probabilities. Daring weaving of meanings gives spectator a rope to climb up to the tower, free of anything rational, to try to puzzle out its tricky structure. And probably to keep staying in this tower forever – wouldn't that be a pure piece of art?